Algo poco interesante


Günther Ziegler.

"La mirada guia tu ser"
les-sources-du-nil:

James Katsipis

Samantha Duane for 'Mermaids of Montauk' series, 2014

les-sources-du-nil:

James Katsipis

Samantha Duane for 'Mermaids of Montauk' series, 2014

(Fuente: sagharboronline.com)

(Fuente: daysrunaway, vía retrovertigo-o)

magictransistor:

John Martin (Mezzotint illustrations); John Milton’s Paradise Lost, ca. 1824.

(vía nonaaginat)

raveneuse:

Robert Longo,Untitled (Men in the Cities), 1979

(vía ptno)

(Fuente: farwell-drugs, vía nonaaginat)

fiore-rosso:

Pawel Kwiatkowski.

fiore-rosso:

Pawel Kwiatkowski.

(vía nonaaginat)

magictransistor:

Pavel Tchelitchew. Head. 1950.

magictransistor:

Pavel Tchelitchew. Head. 1950.

(vía nonaaginat)

(Fuente: psychedelicjungle, vía nonaaginat)

(Fuente: nowaves, vía letyourchildrenplay)

lifeisthefight:

Source
More edits here. 

lifeisthefight:

Source

More edits here

(Fuente: lifeisthefight)

kaeghoro:

/ tränenwege series /

for my new website, i wrote a text about the conceptual thoughts
for this project. maybe this helps to understand the series a little bit better




i was invited by artist Jonathan Kröll to create a series of artworks for the
upcoming issue of ‚Das Gespinst‘ magazine no. IV. the theme the works should
relate to in this issue was – ‚Tränensack‘ ( tear sac ).

i was getting into the topic, reading about the anatomy of the eye and the
‚lacrimal apparatus‘, when the ‚lacrimal canals‘ ( Viae lacrimales ) caught my
interest – the german translation was my entrance to the theme and the
inspiration for my work: ‚Tränenwege‘

now i had a concept in my mind and i began exploring how to transform this
concept into a series of visual poetry based on my figurative way of creating.
i decided to work with an individual monotype printmaking process.

the figures have a strong vertical-dripping movement and each character-
creation contains the ‚monoprint‘, the form of the previous one. this stands for
the experienced, overlaying conflicts and the pain that pass our minds, and
run as tears from our eyes into the world. these tears take the ‚way of the tears‘
— die Tränenwege.

i express my concept in creating these characters – made in an abstract,
diffuse, deformed way; dark colored and connected with each other,
symbolizing that most of us never lose the memory of the bad experiences
we had. they are ghosts of the past, monsters of the future.



check my new site — kaeghoro.de

(vía nearlya)

iamjapanese:

Claire Harkess(Scottish)

Langur’s Tail    2014   watercolour, ink

Langurs at Bandhavgarh, India    2013   ink

Fulmar iii, St Kilda    watercolour 

via

via

via

via

abystle:

Le Char de la Mort (detail), Théophile Schuler, 1848.

abystle:

Le Char de la Mort (detail), Théophile Schuler, 1848.

(vía ourdeathandourdeeds)